Consider this: Two extended segments of audio, Loudness Normalized (or mixed in real time) to the same Integrated Loudness Target.
Segment (A) is fairly consistent, with a very limited amount of intermittent silence gaps.
Segment (B) is far less consistent, due to a multitude of intermittent silence gaps.
When passing both segments through a Loudness Meter (or measuring the segments offline), and recognizing Integrated Loudness is a reflection of the average perceptual Loudness of an entire segment – how will inherent silence affect the accuracy of the cumulative measurements?
In theory the silence gaps in Segment (B) should affect the overall measurement by returning a lower representation of average Integrated Loudness. If additional gain is added to compensate, Segment (B) would be perceptually louder than Segment (A).
Basically without some sort of active measurement threshold, the algorithms would factor in silence gaps and return an inaccurate representation of Integrated Loudness.
In order to establish perceptual accuracy silence gaps must be removed from active measurements. Loudness Meters and their algorithms are designed to ignore silence gaps. The omission of silence is based on the relationship between the average signal level and a predefined threshold.
Loudness Meter (G10) Gate
The specification Gate (G10) is an aspect of the ITU Loudness Measurement algorithms included in compliant Loudness Meters. It’s function is to temporarily pause Loudness measurements when the signal drops below a relative threshold, thus allowing only prominent foreground sound to be measured.
The relative threshold is -10 LU below ungated LUFS. Momentary and Short Term measurements are not gated. There is also a -70 LUFS Absolute Gate that will force metering to ignore extreme low level noise.
Most Loudness Meters reveal a visual indication of active gating (see attached image) and confirm the accuracy of displayed measurements.
Additional Gate Generalizations and Nomenclature
Common Noise Gate
A Downward Expander and it’s applied attenuation is dependent on signal level when the signal drops below a user defined threshold. The Ratio dictates the amount of attenuation. Alternatively a Noise Gate functions independent of signal level. When the level drops below the defined threshold, hard muting is applied.
This is a somewhat proprietary term. It is a parameter setting available on the Aphex 320A and 320D Compellor hardware Leveler/Compressor.
When a passing signal level drops below the user defined Silence Gatethreshold for 1 second or longer, the device’s VCA (Voltage Controlled Amplifier) gain is frozen. The Silence Gate will prevent the Leveling and Compression processing from releasing and inadvertently increasing the audibility of background noise.
Julian Ludwig é diretor do Pro Áudio Clube, produtora de áudio Jacarandá, Loc On Demand e Jacarandá Licensing. Trabalhou para empresas como: Guaraná Antartica, TV Gazeta, NET, Chivas Regal, FNAC, Prefeitura de São Paulo, Mukeca Filmes, Agência LEW’LARA TBWA, Agencia MPM, Agência Content House entre outras. Fez trilhas para programas de TV como: Internet-se (Rede TV), Você Bonita (TV Gazeta), Mix Mulher (TV Gazeta), Os Impedidos (TV Gazeta), Estação Pet (TV Gazeta), CQC (TV Band) Vinheta Oficial TV Gazeta, entre outras. Também atuou em vários longas e curtas metragens, incluindo mixagem em 5.1 e serviços de pós-produção.