


Loudness Meter Descriptors …
In the recent article published on Current.org “Working Group Nears Standard for Audio Levels in PRSS Content”, the author states: “Working group members believe that one solution may lie in promoting the use of Loudness Meters, which offer more precision by measuring audio levels numerically.
dbx 286s: Beyond The Basics …
The dbx brand has been a favorite of mine since the late 1970’s. My first piece of dbx kit was a stand-alone noise reduction unit that I coupled with an old Teac Reel to Reel Tape Deck. Through the years I’ve owned various EQ’s and Dynamics processors, including the highly regarded 160A Compre
Quantifying Podcast Audio Dynamics
I’ve discussed the reasons why there is a need for revised Loudness Standards for Internet and Mobile audio distribution. Problematic (noisy) consumption environments and possible device gain deficiencies justify an elevated Integrated Loudness target resulting in audio that is perceptually louder
AES “Recommendation for Loudness of Audio Streaming & Network File Playback.”
I’d like to share my observations and views on the recently published AES Technical Document AES TD1004.1.15-10 that specifics best practices forLoudness of Audio Streaming and Network File Playback. The document is a collection of Loudness processing guidelines for diverse platform dependent medi
Bit Depth and Dithering
In a professional environment Dithering will be applied to audio clips when reducing word length. This process will mask errors that occur due to the removal of digital audio bits. I thought I’d cover the basics. Digital Audio Digital Audio incorporates individual samples consisting of bits create
Utilizing Multiple Outputs for Recording
The vast majority of audio industry professionals use DAWS running on proficient computer systems to record audio directly to secondary hard disks. For some reason direct to disk recording is not widely endorsed in the Podcasting space. Many consultants (for various reasons) advise against this reco
Understanding Pan Mode Options
Adobe Audition and Logic Pro X include Pan Mode preference options that determine track output gain for center panned mono clips included in stereo sessions. These options are often the source of confusion when working with a combination of mono and stereo clips, especially when clips are pre-Loudne
Hardware Inserts In Your DAW
It is possible to implement support for use of external hardware processing components within your software DAW. This support is common in music recording and audio post production environments. When properly implemented, operators have the capability to insert an instance of an external component (