iZotope Ozone 6
iZotope has released a newly designed version of Ozone, their flagship Mastering processor. Notice I didn’t refer to Ozone [6] as a plugin? Well I’m happy to report that Ozone [6] is now capable to run independent of a DAW as a stand-alone desktop processor. Besides the stand-alone option and st
Intermediate File Format for New Media Producers: MP2
If you are in the audio production business or involved in some sort of collaborative Podcast effort, moving large lossless audio files to and from various locations can be challenging. Slow internet speeds, Hotel WiFi, and server bottlenecks have the potential to cripple efficient file management a
Asymmetric Waveforms: Should You Be Concerned?
In order to understand the attributes of asymmetric waveforms, it’s important to clarify the differences between DC Offset and Asymmetry … Waveform Basics A waveform consists of both a Positive and Negative side, separated by a center (X) axis or “Baseline.” This Baseline represents Zero (�
Quantifying Podcast Audio Dynamics
I’ve discussed the reasons why there is a need for revised Loudness Standards for Internet and Mobile audio distribution. Problematic (noisy) consumption environments and possible device gain deficiencies justify an elevated Integrated Loudness target resulting in audio that is perceptually louder
Bit Depth and Dithering
In a professional environment Dithering will be applied to audio clips when reducing word length. This process will mask errors that occur due to the removal of digital audio bits. I thought I’d cover the basics. Digital Audio Digital Audio incorporates individual samples consisting of bits create
Understanding Pan Mode Options
Adobe Audition and Logic Pro X include Pan Mode preference options that determine track output gain for center panned mono clips included in stereo sessions. These options are often the source of confusion when working with a combination of mono and stereo clips, especially when clips are pre-Loudne
Loudness Measurements and Silence
Consider this: Two extended segments of audio, Loudness Normalized (or mixed in real time) to the same Integrated Loudness Target. Segment (A) is fairly consistent, with a very limited amount of intermittent silence gaps. Segment (B) is far less consistent, due to a multitude of intermittent silence
CNN and Program Loudness Tolerance
I recently analyzed a few of the internal Podcasts produced by CNN. One particular installment is yet another example of a major media outlet distributing audio that is in my view unsuitable for this particular platform. Let’s discuss file attributes and measured specs. for one of CNN’s distribu